Guerilla Girls: Exploring the diversity and ethical concerns of European art institutions with the exhibition "Is it worse in Europe?" The exhibition presents the answers to the questions directed to the 383 institutions about their program and collections. The questions were prepared to critically examine the practices and narratives that were produced by the cultural institutions.

Kamiar Maleki, the eldest son of Iranian born London based collectors Fatima and Eskandar Maleki, became the new director of Contemporary Istanbul. Maleki, with the tradition of collecting for many years, also curates exhibitions and supports young artists. 

The Oxford dictionary defines beauty as a combination of qualities; such as shape, colour, or form that pleases the aesthetic senses, especially the sight. Although highlighting sight as a paradigm of aesthetic pleasure is indisputably true, there is still no clear connotation of what sight is, which opens up many different possibilities. In order to shed light on the sense of sight, Carol Mavor who calls herself an ‘artist historian’, emphasizes that “Touch is the dictionary for sight.”1 If so, could it be assumed to say that what pleases our touch is ‘overlooked’ within the definition of beauty? Then how can we touch a shape, a colour or a form? What about the pleasure that we get through the things we cannot touch physically?